The Golden Eye

Norah Pierson 1940 - 2007

In the late sixties, Norah Pierson, just back from studying art and jewelry making in Italy, began an apprenticeship with master jeweler Joseph Nolen in Laguna Beach, California. In 1971 she opened her own custom jewelry store, The Golden Eye. She was very successful and built a strong following but decided that Laguna Beach was getting too big. She moved to Santa Fe, reopening her store in June 1984. When she arrived in Santa Fe, she hired Amy Bertelli to be her store manager. For twenty-three years, Norah and Amy made beautiful jewelry together and trained a growing support staff. Norah's dream store had become a reality. Sadly, in June of 2007 Norah passed away unexpectedly, leaving her shop and all of her designs in the hands of her manager Amy Bertelli. The Golden Eye's loyal crew of bench jewelers and sales associates are upholding the legacy of Norah Pierson's distinctive designs and finishes. We continue to offer exquisite jewelry, from the golden oldies to newly inspired designs, all hand made by our highly skilled team in Santa Fe, New Mexico.

Amy Bertelli

After inheriting The Golden Eye from her mentor, Norah Pierson, Amy embarked upon her role as the primary jewelry designer. Since 2007 she has honored the jewelry gallery’s founder while forging a path of her own. Her love of colored gemstones informs her designs. Amy considers herself a “midwife” for the materials. Her remarkable Power Pendant Series, including the Sugilite Baroque, Astarte, and Soul’s Compass Pendants, conveys the strength and depth of the Divine Feminine.

“I can always tell when I get the right combination of stones. They tell me when something is missing or when I have it right. Likewise, the decision to use 18kt gold or the warmer look of 22kt gold is dictated by the piece itself. My job is mostly to listen.”

Amy retired from the Golden Eye in 2024, passing the baton of ownership and lead design to another inspired and talented artist.

Debra Colonna-Huser

Since early childhood, creating and designing has always brought me peace, inspiration, and an awareness of who I am. I feel safe in a creative environment and very much alive.

My pieces are all made by hand. Each new series reflects my interaction with the diverse textural patterns and designs nature has to offer. Jewelry-making allows me to explore new realms of metalsmithing through finish, color, and shape. Every collection has to teach me something new, otherwise the process can feel stifling. I find myself balancing on the edge of the safety of the techniques that I’ve mastered and the excitement and anticipation of what is yet to be discovered.

Making jewelry allows me to honor the celebrations of others. Creating pieces that represent my collectors’ milestones, be it an engagement, birthday, anniversary, graduation, heirloom or a congratulatory piece for just making it through a tough time, is one of the most endearing and satisfying incentives for being a jeweler.

~Debra Colonna-Huser

Keith Berge

The Golden Eye has had the privilege of representing artist Keith Berge for many years. His attention to detail and design are highly regarded in the world of goldsmithing.

"The primary influences in my work arise from a lifelong fascination with history and a desire to better understand the technical and artistic motivations and challenges of the past. As such, the majority of my work is an effort to pay tribute to the amazingly talented ancient craftsmen drawing heavily on Minoan, Sumerian, Etruscan, Greek, and Roman influences. Humans have adorned themselves with jewelry for at least 30,000 years but the introduction of metals into jewelry is relatively recent, only becoming widespread in the past 7000 years. Sadly, many of the techniques used by the ancients to create their masterpieces have been lost due to rapid advances in technology and the ability to inexpensively mass produce items. It is my goal to keep the old ways alive, recreating by hand, often painstakingly, pieces that are similar or identical to the pieces made thousands of years ago. Although the tools I use are better than those of the Bronze Age Etruscan craftsman, the challenges are comparable. My medium of choice is high karat gold because it imparts a soft, rich luster to my pieces, providing a look suggestive of an ancient and regal past.

In addition to my goldsmithing, I have a 'day job' as an anesthesiologist at the Mayo Clinic. While I love this career with the academic and social outlets it provides, the greatest joy of my day comes when I can sit at my workbench to recreate the wonders of the ancient past."

Johanna Berge

Johanna was born and raised in Lake City, Minnesota on the Mississippi River. For most of her life, she has been immersed in her role as a mother, and her career as a physical therapist.

Johanna is an avid fan of the outdoors and derives much fulfillment from hiking, cross country skiing, mountain biking, and spending time with her animals. The harmony and balance of nature inspired her to begin working with precious stones and metals. A trip to the Argyle mine in Australia left her enamored with natural colored diamonds. Her travels to the Middle East added an earthy opulence to her striking designs.

Although Johanna's intention was to express her joy and creativity through her jewelry and share it with a select few, others soon noticed her designs and asked to buy the items she was wearing. Johanna's business grew rapidly by word of mouth and now she finds herself, much to her delight, a full time artist.

Susan Bell

"While traveling in Ecuador I became fascinated by the jewelry worn by the indigenous women of villages in the high Andes. These women have a highly developed sense of style, steeped in tradition. Their community and familial pride is expressed in their dress, and their jewelry signifies their wealth and status.

The Spanish brought their techniques of goldsmithing with them when they colonized South America in the late 16th century. There they found a native culture with highly developed metalworking techniques of its own that readily absorbed the Spanish filigree technique. This craft of great refinement has evolved over four hundred years.

In the lovely colonial town of Cuenca I met Jorge Moscoso, a wonderfully sophisticated master jeweler, who was able to help find other jewelers still skilled in these techniques. Jorge helped me realize my dream of bringing this unusual jewelry to the United States and beyond. I am deeply committed to the development of the Belle line for the benefit of these marvelous craftsmen."